FORM / STUDIO

Daylight in narrow homes

Belgium’s terraced houses are long, narrow and dark in the middle. There are only a few ways to deal with that, and most of them are in the roof.

By
FORM Studio
Date
Reading time
3 min
Streaks of light on a blue-white wall beside a tall sash window.

A typical Flemish terraced house is five to seven metres wide and fourteen deep, with windows at the two short ends only. Daylight from a side window is useful for about two and a half times the window’s height. Do the arithmetic, and the middle of the plan will always need help.

Bring it in from above

A rooflight delivers roughly three times as much light as a vertical window of the same size. But where it goes matters more than its size. Placed in the centre of a ceiling, it lights the floor and little else. Placed tight against a wall, it washes that wall from top to bottom, and the wall then becomes the light source for the whole room.

A tall window shadow falling on a pale wall in a dark room.
Light against a wall carries much further into a room than light falling on a floor.

That is the principle behind nearly every narrow house we have worked on. Residence R uses a slot along an old brick wall. Townhouse 03 runs a shaft through four floors beside the stair, so the stair itself gets the best light in the house.

You cannot add more windows to a terraced house, so you have to take better care of the light you already have.

Pale is not the same as bright

White paint is a reflex on dark plans, but it does not always help. A white room in low light turns grey. A warmer plaster or a limewash holds its colour as the light falls, and the room feels brighter even when the numbers say otherwise.

Finally, we try to keep some darkness. A narrow house with even light everywhere has no rhythm. A dim hall makes the bright room at the end of it feel larger than a light meter would ever suggest.